The speaker, in the old time, addressed an audience about to act instantly upon the emotions or convictions he had himself caused.
George F. Hoar: “The speaker, in the old time, addressed an audience about to act instantly upon the emotions or convictions he had…”
Editor's note · Context
Hoar describes how ancient speakers addressed audiences that were ready to act on their emotions immediately.
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More from George F. Hoar
We are here in the sweet silence of a summer morning, eighteen hundred years after such a scene, and able mentally to catch some glimpse of it; some echo of the storm that has left behind it so ineffaceable a mark.
We speak of a light that makes darkness visible; and similarly there are sounds that deepen the long intervals of silence with which they alternate.
To go fully into the role of the number three in British traditions would require a profound study; but it may be useful briefly to note its influence on the Bardic poetry-- the Triads, where the subjects are all grouped in threes.
But I like to think he will be sent on some errands like that of the presence which came to Ben Adhem with a great wakening light, rich and like a lily in bloom, to tell him that the name of him who loved his fellow men led all the names…





