Hogarth, in his famous picture of Bruin, painted Slavery, when he portrayed an immense grizzly bear hugging, as if he loved it, an enormous gnarled bludgeon, with a brand of infamy labelled on every knot, such as Lie Twelve, Lie Fifteen, and about his throat a clerical band, torn, crumpled, and awry.
Sumner references Hogarth's artwork to illustrate the grotesque nature of slavery and its defenders, using vivid imagery to convey his point.
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Again I repeat, so long as the War System prevails under the sanction of International Law, these painful incongruities will be apparent.
Still further: every ship-of-war that floats costs more than a well-endowed college.
More precious far at that moment the consolation that he had labored for his fellow-men, and the joyous confidence that all his cares had helped the Progress of his race!
But so long as War exists as an Institution this terrible inconsistency must appear.
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