And so before each thought that I have written in this book I have set a phrase, a haunting echo of these weird old songs in which the soul of the black slave spoke to men.
W.E.B. Du Bois: “And so before each thought that I have written in this book I have set a phrase, a haunting echo of these weird old…”
Editor's note · Context
In his foundational text, Du Bois explains his use of musical epigraphs to convey the essence of the Black American experience.
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The form and disposition of the laborers’ cabins throughout the Black Belt is to-day the same as in slavery days.
Away with the black man’s ballot, by force or fraud,—and behold the suicide of a race!
I had thereafter no desire to tear down that veil, to creep through; I held all beyond it in common contempt, and lived above it in a region of blue sky and great wandering shadows.
Years have passed away since then,—ten, twenty, forty; forty years of national life, forty years of renewal and development, and yet the swarthy spectre sits in its accustomed seat at the Nation’s feast.