I know not which are the more touching,—such old empty houses, or the homes of the masters’ sons.
W.E.B. Du Bois: “I know not which are the more touching,—such old empty houses, or the homes of the masters’ sons.”
Editor's note · Context
Du Bois reflects on the lingering sadness associated with the decline of the old Southern aristocracy and the homes they left behind or passed on.
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A million black men started with renewed zeal to vote themselves into the kingdom.
The first decade was merely a prolongation of the vain search for freedom, the boon that seemed ever barely to elude their grasp,—like a tantalizing will-o’-the-wisp, maddening and misleading the headless host.
It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.
The ballot, which before he had looked upon as a visible sign of freedom, he now regarded as the chief means of gaining and perfecting the liberty with which war had partially endowed him.