The Music of Negro religion is that plaintive rhythmic melody, with its touching minor cadences, which, despite caricature and defilement, still remains the most original and beautiful expression of human life and longing yet born on American soil.
W.E.B. Du Bois: “The Music of Negro religion is that plaintive rhythmic melody, with its touching minor cadences, which, despite…”
Editor's note · Context
Du Bois declares the music of Black religion to be the most original and beautiful artistic expression to emerge from American soil, despite its misrepresentation.
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This, then, is the end of his striving: to be a co-worker in the kingdom of culture, to escape both death and isolation, to husband and use his best powers and his latent genius.
Many of the worst characteristics of the Negro masses of to-day had their seed in this period of the slave’s ethical growth.
One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.