Each nerve has a sort of memory of its past life, is trained or not trained, dulled or quickened, as the case may be; each feature is shaped and characterised, or left loose and meaningless, as may happen; each hand is marked with its trade and life, subdued to what it works in;--IF WE COULD BUT SEE IT.
Bagehot reflects on the concept of memory in nerves and how experiences shape physical characteristics.
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Our law very often reminds one of those outskirts of cities where you cannot for a long time tell how the streets come to wind about in so capricious and serpent-like a manner.
I own that I do not entirely sympathise with the horror of these anomalies which haunts some of our best critics.
The casual line was traced according to the strength of deceased combatants; succeeding generations fought elsewhere; and the hesitating line of a half-drawn battle was left to stand for a perpetual limit.
It is natural that those who by special and admirable culture have come to look at all things upon the artistic side, should start back from these queer peculiarities.
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